A review of Nancy Robbins, A Sense of Yosemite, with essays by David Mas Masumoto. Yosemite National Park: Yosemite Conservancy, 2016.
Sublime photos of heaven-high cliffs, canyons, and waterfalls have long defined Yosemite. In her book, A Sense of Yosemite, photographer Nancy Robbins builds on this tradition of photography as both an artistic medium and an articulation of the importance of public lands.
Robbins lives within Yosemite’s boundaries, and her familiarity with the park serves as her greatest advantage. She offers her audience a refreshing glimpse of Yosemite beyond familiar black-and-white stock images. Her detailed perspectives treat the landscape with the keen observation that intimacy provides.
Robbins’s eye for detail takes us beyond the usual vistas of the park. She focuses on the textures of scabbed bark, the veins of yellow leaves encased in a sheet of ice, and brilliant waterfalls of fiery light. These rich images guide the reader through the might and brilliance of each season, documenting foxes to cottonwood trees, rivers to gauzy starlight, and more.
By excluding people from her images of the park, Robbins joins other landscape photographers in perpetuating the myth of pristine wilderness. The only noticeable photo of people depicts distant climbers on a cliffside bivouac at night. This image beautifully speaks to the adventurous spirit of Yosemite but fails to tell the whole story. It’s rare to experience the park without people.
While Robbins’s photos of the park through its seasonal cycles are impressive, the book’s structure and written commentary leave us wanting more. Her captions and David Mas Masumoto’s essays convey little about Yosemite’s intricacies. Robbins’s vivid images speak far more powerfully about the park than the text, which in comparison comes off rather bland.
As a farmer living outside of Yosemite Valley, Masumoto provides a perspective that many readers can identify with: a neighbor to Yosemite who feels a connection to the place. However, the relationship between his essays laced throughout the first half of the book and the photos can feel a bit jarring. The reader is pulled from the visual flow of Robbins’s work that frame Yosemite through both the senses and the seasons.
Unfortunately, the book neglects to mention the park’s indigenous history and Yosemite’s central role in the development of the national park system and conservation movement. Nor does it touch upon the grave ecological challenges facing Yosemite precipitated by a changing climate and ever-increasing human visitation. Briefly, Masumoto writes: “We all have a stake in the destinies of these sacred geographies.” But in this narrative of the visual sublimity of Yosemite, an opportunity is lost to prompt readers to grasp its complex, pivotal history, and to contemplate what is at stake for its future.
Although A Sense of Yosemite may not offer such fully discerning reflections upon this iconic park, for any reader wishing to experience Yosemite through a collection of colorful photographs with striking light, this book will satisfy. Robbins’s work celebrates the park in every season, portraying both light and color with a softness that reflects the subtlest moods of the landscape. Through her technical mastery, her access to singular weather phenomena and rare moments, and her obvious affection for Yosemite, Robbins successfully captures the splendor of one of the most inspirational places in North America and the place she calls home.
- All photographs taken by Nancy Robbins. All rights reserved.
Reviewed by Jai Bashir, Ayja Bounous, Casey Clifford, Bianca Greeff, Dan Hohl, Kailey Kornhauser, Brooke Larsen, Kathleen Metcalf, Maya Silver, Francesca Varela, and Josh Wennergren, graduate students in the Environmental Humanities writing seminar, University of Utah, taught by Stephen Trimble. Trimble’s publications include, Bargaining for Eden: The Fight for the Last Open Spaces in America (UC Press), The Sagebrush Ocean: A Natural History of the Great Basin (University of Nevada Press), and Red Rock Stories: Three Generations of Writers Speak on Behalf of Utah’s Public Lands (Torrey House Press). Trimble makes his home in Salt Lake City and in the redrock country of Torrey, Utah.
Copyright: 2017 The Authors. This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/